Adam Helms  Pan Is Dead. (The Spring Trance), 2022  Ink jet transfer process and acrylic on canvas  Diptych overall: 80 x 120 cm | 31.5 x 47 in

Adam Helms

Pan Is Dead. (The Spring Trance), 2022

Ink jet transfer process and acrylic on canvas

Diptych overall: 80 x 120 cm | 31.5 x 47 in

Jagoda Bednarsky (b. 1988)  Under the Weather (Cycle), 2022  Oil, acrylic and gouache on canvas  135 x 105 cm | 53 x 41.5 in

Jagoda Bednarsky (b. 1988)

Under the Weather (Cycle), 2022

Oil, acrylic and gouache on canvas

135 x 105 cm | 53 x 41.5 in

 

Jagoda Bednarsky (b. 1988)  Under the Weather (June), 2022  Oil, acrylic and gouache on canvas  135 x 105 cm | 53 x 41.5 in

Jagoda Bednarsky (b. 1988)

Under the Weather (June), 2022

Oil, acrylic and gouache on canvas

135 x 105 cm | 53 x 41.5 in

Dominika Bednarsky  XOXOXOXO Serie no.3, 2022  Glazed ceramic  25 x 35 x 55 cm | 10 x 14 x 22 in

Dominika Bednarsky

XOXOXOXO Serie no.3, 2022

Glazed ceramic

25 x 35 x 55 cm | 10 x 14 x 22 in

Peter Hutchinson  Undersea Onions, 1970  Photo collage and felt tip pen on cardboard  50 x 75 cm / 20 x 29.5 in  Framed: 50 x 75 cm / 19 2/3 x 29 1/2 in

Peter Hutchinson

Undersea Onions, 1970

Photo collage and felt tip pen on cardboard

50 x 75 cm / 20 x 29.5 in

Framed: 50 x 75 cm / 19 2/3 x 29 1/2 in

Andy Goldsworthy  River stones scratched white made in dried-up bed of Swindale Beck after a long hot summer over cast began to rain steadily just as I finished., 1983  Photo collage and writing on passepartout  71.5 x 111 cm / 28 x 44 in

Andy Goldsworthy

River stones scratched white made in dried-up bed of Swindale Beck after a long hot summer over cast began to rain steadily just as I finished., 1983

Photo collage and writing on passepartout

71.5 x 111 cm / 28 x 44 in