Martin Mannig
Kapitäns Bild, 2015
Egg tempera on canvas
72 x 63 cm / 28.35 x 24.803 in

Martin Mannig
Lost on the Beach, 2015
Egg tempera on canvas
90 x 72 cm / 35.43 x 28.35 in

Martin Mannig
Manga Witch, 2015
Egg tempera on canvas
151 x 117 cm / 151 x 46.06 in

Martin Mannig
Mr. Knacker, 2015
Egg tempera on canvas
100 x 80 cm / 39.73 x 31.49 in

Martin Mannig
RumpelLump, 2015
Egg tempera on canvas
83 x 76 cm / 32.67 x 29.92 in

Martin Mannig
SamuraiShowdown, 2015
Egg tempera on canvas
90 x 72 cm / 35.43 x 28.35 in

Martin Mannig
The Messenger, 2015
Egg tempera on canvas
90 x 72 cm / 35.43 x 28.35 in

Martin Mannig
VolksHausBlanket, 2015
Egg tempera on canvas
160 x 130 cm / 62.99 x 51.18 in

Martin Mannig
VolksMuster, 2015
Egg tempera on canvas
161 x 122 cm / 63.38 x 48.03 in

Martin Mannig
Broken Flowers, 2015
Egg tempera on canvas
72 x 63 cm / 28.35 x 28.4 in

 

Martin Mannig
ZombiBlanket, 2015
Egg tempera on canvas
151 x 122 cm / 59.44 x 48.03 in

Press Release

MARTIN MANNIG

BETWEEN THE WORLDS

August 12 - 30, 2015

Opening Reception August 12, 6 - 8pm

 

Gaa Gallery is pleased to announce an exhibition of new works by Dresden-based artist, Martin Mannig.  Please join us on Wednesday, August 12 for an opening reception from 6-8pm and artist talk at 6:30pm.  Martin Mannig – Between the Worlds runs through August 30.

 

Between the Worlds by Martin Mannig is comprised of recent paintings and drawings produced through a variety of media.  In the paintings of Martin Mannig exists an assemblage of imagery, symbols, mythology, all ambiguously coded and layered.  Mannig’s work presents itself at first glance as an amalgamation of German folk tradition, a world of gnomes, rabbits, toadstools, cottages and Japanese manga - a universe of cats, ocular close-ups, glossy hair and cartoon legs.  Further complicating this image is the use of Western motifs, in the case of this exhibition references to It by Stephen King- sailboats, aliens and clowns. Recurring characters- seemingly cute cats are paired with Rumpelstiltskin-esque characters lingering in the borders of malignance and benevolence.  This romantically grotesque wonderland creates relationships between seemingly despairing parts.  In the world created by Mannig exists a logic and thoughtful rumination on the experience of the contemporary condition, fragmented, self-reflexive and complex.  

 

Through the use of painting Mannig emphasizes the onerous nature of experience, cultural narrative, and collective memory. Mannig works by painting from a personal archive of images, familiar objects, forms and recurring characters. These elements are then selectively integrated together; layered, collaged, destroyed and rebuilt.  Influenced by his upbringing in the Erzgebirge, a region of former East Germany, Mannig references woodcarving and other folk traditions that originate in the area.   Combining his childhood experiences with subsequent travels to Japan in 2001 and then again in 2011, shortly after the Fukushima Daiichi nuclear disaster, Mannig’s work bares the influence of combining these realities. In his works one sees twisted imagery, interlocked worlds and hybrid mash-ups that function both on aesthetic and metaphorical levels to provide a new lens to view difficult realities.

 

Mannig’s work invites the viewer to view contemporary life through a unique system of mythologies, one whose tenets of are up to us to decide, absorb, ruminate and retell.  Taking symbolism from sources as varied as German folk traditions, Japanese Manga and Western popular culture, Mannig’s language is fluid between these worlds, creating a space where experiences are layered upon one another, creating a universe all their own.  

 

Martin Mannig was born 1974, Freiberg German. He lives and works in Dresden, Germany.  In 2004 he was awarded the Caspar David Friedrich Prize. Selected exhibitions include, Caspar-David-Friedrich-Zentrum Greifswald (2014), Galerie Gebrüder Lehmann Dresden (2014), Galerie Gebrüder Lehmann Berlin (2013), Galerie Marianne Boesky, New York (2011), Albertinum, Staatliche Kunstsammlungen Dresden (2010), Prag Biennale (2009), Kukje Galerie, Seoul (2009), Nanzuka Underground, Tokyo (2008), ALP Gallery in Stockholm (2005).